{"id":8069,"date":"2019-11-23T00:00:00","date_gmt":"2019-11-22T21:00:00","guid":{"rendered":"http:\/\/copy.islamfond.ru\/index.php\/2019\/11\/23\/the-philosophy-of-music-theory-and-practice-of-the-maqam-art\/"},"modified":"2019-11-23T00:00:00","modified_gmt":"2019-11-22T21:00:00","slug":"the-philosophy-of-music-theory-and-practice-of-the-maqam-art","status":"publish","type":"post","link":"https:\/\/ibnsina.ru\/en\/2019\/11\/23\/the-philosophy-of-music-theory-and-practice-of-the-maqam-art\/","title":{"rendered":"The philosophy of music. Theory and practice of the maq\u0101m art"},"content":{"rendered":"<div readability=\"52\">\n<p class=\"MsoNormal\"><span lang=\"EN-US\"><strong>Abstract<\/strong><\/span><\/p>\n<p class=\"MsoNormal\"><span lang=\"EN-US\">The four chapters and two appendices of the book describe the stable regularities of the human mind (relationships of the part and the whole, their contraposition and unification) in the theory and practice of the maqam art, which is an oral musical tradition preserved in Hebrew, Persian Arabic and Turkic languages.<\/span><\/p>\n<p class=\"MsoNormal\"><span lang=\"EN-US\">The annotated translation and research of Fakhr al-Din al-Razi\u2019s (12th-13th centuries) treatise on music, as well as the first edition of the Russian translation of a treatise on music by an anonymous author (\u201cMuhammad Nishapuri\u201d) deal with ontological issues and the methodology of the historical knowledge with due account for the differences in conceptualization procedures in the given traditions. <\/span><\/p>\n<p class=\"MsoNormal\"><span lang=\"EN-US\">The edition is intended for a wide range of experts and undergraduate students.<\/span><\/p>\n<p class=\"MsoNormal\"><span lang=\"EN-US\"><strong>Imprint<\/strong><\/span><\/p>\n<p class=\"MsoNormal\"><span lang=\"EN-US\">Shamilli G.B. The philosophy of music. Theory and practice of the maq\u0101m art \/ G.B. Shamilli; eduted by I.K. Kuznetsov. \u041c.: \u041e\u041e\u041e Sadra: YASK publishing house, 2020. \u2014 552 p., illustrated. \u2014 (The philosophical thought of the Islamic world: Research. V. 5).<\/span><\/p>\n<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Abstract The four chapters and two appendices of the book describe the stable regularities of the human mind (relationships of the part and the whole, their contraposition and unification) in the theory and practice of the maqam art, which is an oral musical tradition preserved in Hebrew, Persian Arabic and Turkic languages. The annotated translation [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":8309,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[79],"tags":[],"class_list":{"0":"post-8069","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-books"},"_links":{"self":[{"href":"https:\/\/ibnsina.ru\/en\/wp-json\/wp\/v2\/posts\/8069","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ibnsina.ru\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ibnsina.ru\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ibnsina.ru\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ibnsina.ru\/en\/wp-json\/wp\/v2\/comments?post=8069"}],"version-history":[{"count":0,"href":"https:\/\/ibnsina.ru\/en\/wp-json\/wp\/v2\/posts\/8069\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ibnsina.ru\/en\/wp-json\/wp\/v2\/media\/8309"}],"wp:attachment":[{"href":"https:\/\/ibnsina.ru\/en\/wp-json\/wp\/v2\/media?parent=8069"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ibnsina.ru\/en\/wp-json\/wp\/v2\/categories?post=8069"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ibnsina.ru\/en\/wp-json\/wp\/v2\/tags?post=8069"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}